Lisa Reiter is working in the field of sculpture and installation, always in search of traces of human interaction in space - in the domestic as well as the public sphere.  

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Lisa Reiter

* 1994,  Austria
lives and works in Vienna, Austria

2021 - ongoing:  studies Sculptural Conceptions / Ceramics, BA,  Art University, Linz, Austria

2021 - 2024: student assistant in the department of Sculptural Conceptions / Ceramics, Art University, Linz, Austria

2020 - ongoing: guest lecturer at FH Joanneum, Graz, Austria

2017 - 2020: founder (together with Peter Oswald) of Das Uhrwerk, offspace and studio space, Graz, Austria

2018: masters exam in bookbinding 

2014 - 2016: apprenticeship in bookbinding and digital printing, Graz

2008 - 2013: HBLA für künstlerische Gestaltung, Linz

Grants 

2023 nominated for the 62th Faenza Ceramics Prize, Faenza, Italy

2021 Morgensternpreis des Landes Steiermark and Kleine Zeitung

2021 Kunstförderungspreis der Stadt Graz

Residency

2024 two months residency at the Art Quarter Budapest, stipend of the country of Styria

Works in Collections

2020 Collection of the City of Graz 

2019 Collection of Neue Galerie Graz, Universalmuseum Joanneum

Publications and Interviews

upcoming:

EIN ZIMMER FÜR MICH

Vernissage: Wednesday, 11th of September, 18:00 

Virginia Woolf schreibt: „Eine Frau braucht Geld und ein Zimmer für sich allein, wenn sie Bücher schreiben möchte.” Diese beiden Minimalforderungen sind seit 1929 inspirierend, ermutigend und geraten nicht in Vergessenheit. Es sind Ideen, die jede Person betreffen und für jegliches Metier gelten. Universell? Vielleicht irgendwann ein Menschenrecht? Die eingeladenen Künstlerinnen zeigen Arbeiten, die die Raumausdehnung proben und diese, jede auf ihre Art und Weise, zelebrieren.

Kuratorin: Nicole Pruckermayr

Künstlerinnen
JULIANNA
Maria Legat
nicole pruckermayr
Lisa Reiter
Maruša Sagadin
Eva Ursprung
Eva Wassertheurer

LESUNG von Lydia Mischkulnig
Freitag, 27. September 2024 um 18 Uhr

FINISSAGE: DISKUSSION mit der Architektin Antje Lehn, der Künstlerin Maria Legat und der Kuratorin Nicole Pruckermayr.

Moderation: Wolfgang Kühnelt
Freitag, 18. Oktober 2024 um 18 Uhr

upcoming:

Escape. Resonance

Kunstraum Steiermark at Vienna Contemporary

Artists: Lena Baloch,  Michael Fanta, Susanna Hofer, 
Nina Schuiki, Lisa Reiter, Nathalie Koger, Katharina Pichler, Miriam Schmid, Eva-Maria Jocham & Ulrich A. Reiterer

Curator: Jakob Kolb

In an attention economy, resonance appears to be
the most valuable good: Rather than resembling a
harmonious interplay, it functions as a broad public
echo that does not have to last long, and the quality of
which is of little importance - what counts is quantity.
How can we break free from this dynamic without
renouncing it entirely, without escapism or
a Biedermeier renaissance, without abandoning all
relevance? How can we escape such a resonance but
remain (politically) active?
Escape. Resonance assembles works by ten artists
from Styria who explore the tension amidst these very
issues. The curator and artists are currently part of
the residency programs of Land Steiermark and the
scholarship program KUNSTRAUM STEIERMARK.

link to the exhibition

grids, breath and a windowsill, 2024

Art Quarter Budapest
site-specific outdoor installation, later translated to an indoor gallery setting

paper, cardboard, tempera, wallpaste, fabric, found objects

Lisa Reiters work „Grids, breath and a windowsill“ is a site specific installation, which is located between the public and the domestic, using found materials as precisely made objects and images that build a frame around the grasp of her observations in the surrounding area in Budapest. 

grids-breath-windowsill©Zuzi Simon-01
grids-breath-windowsill©Lisa-Reiter-14
grids-breath-windowsill©Lisa-Reiter-18
grids-breath-windowsill©Lisa-Reiter-07
grids-breath-windowsill©Lisa-Reiter-19
grids-breath-windowsill©Lisa-Reiter-11
grids-breath-windowsill©Lisa-Reiter-05
grids-breath-windowsill©Lisa-Reiter-06
grids-breath-windowsill©Lisa-Reiter-02

calendar, 2024

21,8 x 33,1 cm
12 pages, digital print on 60g/m2 paper
adhesive binding, perforated, drilled
1,5 mm grey cardboard as back

box made of 2mm grey cardboard
23,9 x 35,2 cm
blind embossed on the front and the side

The starting point for the monthly calendar are traces, dirt and fracture lines and lines in the wired glass, taken from window panes with the use of carbon tracing paper.

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untitled (adhesive tape), 2024

series
b/w photography
analog, Ilford HP5 plus film
format 2:3
digitalized

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loops, 2023

series of several works
sizes vary in length between 30 and 170 cm
copper pipes dipped in wax
gilstone, fleece, lacquer, plastic

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untitled, 2023

series
each 16,5 x 11,5 x 7 cm
dental plaster, tights, iron wire

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panels, 2023

exhibition view, Duo with Tom Marseiler
each approx. 62 x 220 x 10 cm
styrodur, dust, dirt, washer disks

porcelain works: Tom Marseiler

Insulation boards from a house that have never been clad with a facade and have been exposed to the weather and the events surrounding the building over the years, are now found in the interior, (re)assembled as sculptures.

curational support: Anita Leisz

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finding room between opposites, 2023

spacial intervention
found and already damaged spots on the walls of one floor at Kunstuniversität Linz, Brückenkopfgebäude Hauptplatz 6
deep primer, dispersion paint, dispersion adhesive, nylon flocking
dimensions variable

Finding room between opposites includes on the one hand the search for and on the other hand the visualization of all damaged areas on the walls of the entire second floor of one of the two „Brückenkopf“ buildings on Linz‘s main square. Those buildings were built between 1940 and 1943 and are part of the monumental design of the banks of the Danube in Linz planned during the Nazi regime times. 

Today it houses the main location of the University of Art and Design Linz, and I am concerned about the artistic practice in such a historically charged building, the use of which turns out to be a fragile situation for me during my work.

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Der Schnee rund ums Haus, 2022

installation consisting of several elements / series
dimensions of the installation variable
object on the right: 45 x 58 x 83 cm
ceramic, nylon flock, epoxy resin, pigment

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untitled (copper frames), 2022

 

105 x 130 cm
tights, copper pipe, yarn

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Ohne-Titel_Kupferrahmen_130x110-5

weil die Geste banal ist, 2021

Installation
based on the poetry collection „Mutantengarten“ by Volha Hapeyeva, Afro-Asian Institute Graz
dimensions approx. 380 x 380 x 150 cm
kerosene wax, pantyhose, nylon

Based on individually selected phrases throughout „Mutantengarten“, Lisa Reiter has created an expansive installation that attempts to atmospherically approximate the mood of the poems. 

The clear construct, the net in the room on which everything hangs, relates to the structure and clear rhythm of Volha Hapeyeva‘s poems. The many individual wax cubes are suspended from this net and determine the overall form of the installation with their own weight. On the one hand, all the cubes are identical in their dimensions, and yet none of them resembles the others due to the soft black drawing of the elements made of fine pantyhose.

 
schwerelosigkeit 
hebt dich auf - du fliegst in den raum 
bis es zeit ist zu landen
innerhalb fester grenzen
in einem konkreten land
einer wohnung
einem anderen körper  


Lisa Reiter attempts to create an expression with her work that is clear and determined, but also delicate and full of empathy - just like Volha Hapeyeva‘s poems. 

If you set the entire installation in vibration, all the individual parts vibrate and it seems as if they are communicating with each other as well as with the outside world. 

photography: Moritz Rzehak

Mutantengarten
Mutantengarten
Mutantengarten

under pressure, 2021

series of four works
dimensions various, approximately between 8 x 8 x 21 and 16 x 16 x 21 cm
glazed ceramics

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in shape, 2021

series consting of 8 objects
each approx. 7 x 7 x 25 cm
tights, plaster, epoxy resin, wax 

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Hommagen an .., 2019

 

series of four works
each 80 x 200 cm
nylon stockings, silk, wooden frame, steel base

photography: Valerie Maltseva

01_Hommagen-an_Reiter-Lisa_©Valerie-Maltseva
03_Hommagen-an_Reiter-Lisa_©Valerie-Maltseva
04_Hommagen-an_Reiter-Lisa_©Valerie-Maltseva

Darunter II, 2018

Installation
Altes Rathaus Eisenerz
project as part of Rostfest 2018
tights, yarn, wire rope
dimensions variable

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Darunter, 2017

Installation
Bordsteinschwalbe Graz
as part of the exhibition series "Füll die Lück'", curated by Keyvan Paydar
tights, yarn, wire rope, Polaroid photo
dimensions variable

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untitled (copper frame), 2016

130 x 200 cm
tights, copper pipe, yarn

photography: tastycreates - Peter Oswald

Herausgeberin der Website lisareiter.com

Lisa Reiter
Fenzlgasse 49, 1140 Wien
info@lisareiter.com

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